MIT Music and Theater Arts fondly remembers the legacy of Professor Emerita Jeanne Shapiro Bamberger, who passed away peacefully at home in Berkeley, California, of natural causes on Dec. 12, 2024 at the age of 100.
For three decades at the Institute, Bamberger found ways to use computers to engage students and help them learn music. A trained pianist who became fascinated with the idea of using technology to gain insights into music education, Bamberger ultimately helped to change how music was taught at MIT and elsewhere.
Bamberger was born on Feb. 11, 1924 in Minneapolis, Minnesota. Her mother, Gertrude Shapiro (nee Kulberg), from a Romanian Jewish family, studied child psychology and was active in the League of Women Voters. Her father, Morse Shapiro, of Lithuanian and Polish Jewish heritage, was a groundbreaking pediatric cardiologist.
In 1969, Bamberger began her 32-year career at MIT, initially in the former MIT Education Department. While at MIT, Bamberger became the first woman to earn tenure in the Music and Theater Arts Section. She was know for pioneering the use of computer languages to teach children to learn music. She also used her computer innovations to study how children — and by extension, all humans — learn music, and this vector in particular became her life’s work.
Ahead of her time, Bamberger worked in the MIT Artificial Intelligence Lab in the 1980s and developed computer languages (MusicLogo and Impromptu) while at the MIT Division for Study and Research in Education from 1975 to 1995. She became associate professor in music and theater arts in 1981, earned tenure soon thereafter, and chaired the department in 1989-90. During this period, she continued to perform as a concert pianist, taking part in concerts with the MIT Symphony Orchestra, and actively playing chamber music both at MIT and in the community. She also taught at the Harvard University Department of Education.
Institute Professor Marcus Thompson recollects, “During her time with us as a senior professor she was clearly a jewel in the crown. For someone who had studied piano with an historic legend in Artur Schnabel, who had studied with and known at least one of the French Six, Darius Milhaud, and worked with French composer and conductor Pierre Boulez, she was among that group of our professors who continually advocated for a new music building, considered the possibility of a graduate program in music at a time when we were being pushed to grow, at a time when she was our only senior woman when the need to do better was finally seen.” Both the dedicated music building and the graduate music program are now a reality.
Bamberger loved her work and was beloved and admired by her students and colleagues. Kenan Sahin Distinguished Professor Evan Ziporyn shares that she “was very much a shaping presence for our section — MIT Music and Theater Arts wouldn’t be what we are today without her contributions. She’s also just a very cool person — I mean, how many 90-year-old academics end up working with Herbie Hancock and taking their research to the White House?”
Ziporyn adds that “among 7 million other singular accomplishments,” Bamberger published numerous articles and books including “The Art of Listening” with Howard Brofsky, “The Mind Behind the Musical Ear,” “Developing Musical Intuitions,” and “Discovering the Musical Mind.”
While at MIT, Bamberger took many students under her wing and assisted many more with their academic careers. Elaine Chew SM ’98, PhD ’00, an operations researcher, pianist, current professor of engineering at King’s College London, and mentee of Bamberger, says, “I would not be doing what I am today if not for Jeanne. A child prodigy turned music philosopher, Jeanne was a pioneer in music and AI long before it was fashionable. She was deeply interested in people and passionate about how we learn. I will not forget the day when I came to her with complaints about things not working. Rather than telling me what to do, Jeanne said, ‘What are you going to do about it?’ prompting me to reflect on and develop my own sense of agency.” (Chew speaks more on Bamberger’s inspirational role in a 2016 interview.)
All told, Bamberger had a creative, fertile mind and loved to ask probing questions, a quality she passed to her progeny and community — it was her excitement and her passion.
While a professor at MIT, Bamberger was a force to be reckoned with. In addition to her long and productive academic career — in which she published four books and nearly 20 book chapters — she was politically active and supported the anti-Vietnam war and the civil rights movements. She continued teaching and publishing her work well into her 90s and had a strong community of companions and colleagues to the end.
In 2002, Bamberger became professor emerita at MIT and moved to Berkeley, California, continuing to teach in the Music Department at the University of California at Berkeley.
At 100, she was predeceased by her former husband, Frank K. Bamberger. She is survived by her two sons, Joshua and Paul (Chip); four grandchildren — Jerehme, Kaela, Eli, and Noah; and many caring relatives and friends.
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